Walk this way

Photo by Francy Haupt

The walk is one of those things to which one could dedicate an entire book, but since I lack the mental fortitude complete to complete such an ambitious project (just ask my husband how my "novel" is coming) and the internet has programmed us all to have TL;DR syndrome, I'm going to address two components that will help set the foundation for a quality walk.

Rhythm

The first major component of the walk is its rhythm.  Each gait has its own, unique rhythm which differentiates one gait from the next.  If your horse changes rhythm, he is in fact changing gaits.  While your horse's tempo (speed of footfalls) can change within a gait, his rhythm cannot.   With that said, the walk is the gait most prone rhythm irregularities, so what's generally happening there is that the horse is inserting little steps of trot into walk which alters the rhythm.  This is caused by tension of some form, and because dressage should always be ridden with a relaxed horse, rhythm irregularities are often a dead give away when the horse is not relaxed.

So in order to recognize when the rhythm is irregular, we need familiarize ourselves with the correct walk rhythm in the first place, and to help you with that, I'm going to give you a bit of a music lesson. 

So here we have the humble quarter note, which is equal to one beat, and for the purpose of understanding the walk rhythm, we're going to say that it also equals one stride.  Below is a short clip of Helix walking, and what I'd like you to do is tap your hand on your thigh every time his right front leg touches down.  There is your  quarter note/stride.

1 quarter note = 1 stride

Ok. I know I said my pony wasn't fancy, but he has one heck of a walk!



Below we have a sixteenth note (noted by the two tails). It takes 4 sixteenth note to equal 1 quarter note.  In our analogy, the sixteenth note is equal to one footfall, and it takes four, evenly spaced footfalls to create one stride.

 

Each sixteenth note =1 step and 4 sixteenth notes = 1stride

So let's go ahead  and count along with Helix's walk including each footfall, again, beginning with the right front leg.  ONE, two, three, four, TWO, two, three, four, THREE, two, three, four... etc. That rhythm needs to stay constant at the walk, otherwise you are no ling walking. In order to get a good feeling for this, walk your horse on a hard surface like the cement aisle at the barn and really listen to what that sounds like.

The balancing gesture

At the walk, the horse's head bobs along in what is called a balancing gesture.  You can see it a bit my clip above, but  I have also attempted to make an animation demonstrating it below.  Don't worry, I won't be quitting my day job to join the Pixar crew at anytime in the near future.

So your horse's head moves at the walk.  It is one the defining characteristics of the walk, but all too often it gets blocked by unyielding hands.  When riding the walk correctly, it is important to move your hands WITH your horse's balancing gesture.  Doing otherwise might cause him to stop, or move  up into a gait with no balancing gesture like the trot causing rhythm irregularities.  See what I did there?! I think that's called a callback.

Go riding!